The phone rang. Or, rather, a polyphonic orchestra wheezed its way into the Marriage of Figaro. Sarah waited for the eighth bar then took the call.
‘Uh, hello?’
"Well, good morning to you! Can I speak to Miss Bartleby please?"
Sarah slumped back in the chair. A too-enthusiastic caller for this time of the morning. Must be telemarketing. She could almost see his bobbing Adam's apple and chronic acne. "Actually it's
Ms Bartleby. And she’s out’.
"Ah, er, OK! OK!... erm..." Sarah had the feeling that the voice was madly skipping thorugh a script that didn't make contingencies for short-tempered significant others answering the call. "Ahh, it's just that, uh, it's just that I’d like to talk to the homeonwner about….
Like a falcon clawing a dormouse, Sarah struck.
"She doesn’t want double glazing, central heating, a new telephone supplier or an unbuilt timeshare apartment. If you’re calling about the gas bill, we paid it last week. If you’re calling for triple X fun with all services, you’ve got the wrong number... Then again, I could do with cheering up so... hello?"
Sarah realised the caller had hung up. She turned back to the screen and to the travails of the 68t. But she'd lost that train of thought. It was getting there, to say that she'd been working on the story since her Cambridge days. A sneaked paargraph whilst on the loo, a fiendishly technical chapter written on the NY-LON redeye a few years ago. The books and binders, Filofax inserts, Post-It notes, all threaded their way back to Cambridge. And that's where so much of Sarah seemed to start; writing adventurous sci-fi whilst huddled next to a two-bar heater in the coldest rooms above St Catharine's, morning lectures on Eliot, evening courses in Serbo-Croat, lustful afternoons with Jen, a lifetime with the civil service...
Sarah knew she'd never finish the book. She knew she'd never leave Jen. And she knew that all the other things that started in Cambridge would haunt her for the rest of her days and beyond.